As a filmmaker, staying ahead of the curve is vital. I recently attended a cutting-edge seminar at PROTO, the North East’s hub for innovation, focused on virtual production—a technique revolutionising how we tell stories on screen.

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I wanted to create more than just a typical press kit; I aimed to showcase the creative energy and commitment of the cast and crew. Using handheld cameras and natural light, I captured candid moments on set, revealing the real personalities behind the characters and the raw, unfiltered emotions of the team.

The editing process was equally challenging. It involved distilling hours of footage into a concise, engaging story that represented the heart of the drama. My goal was to craft a behind-the-scenes look that complemented the high-stakes themes of loyalty and betrayal present in The Feud.

This project not only honed my technical skills but also reaffirmed my passion for narrative-driven filmmaking. Collaborating with Lonesome Pine has opened up new opportunities, and I’m excited for what’s next.

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The film showcased the vitality of the local creative community, blending strong storytelling with captivating visuals to underline the impact of cultural engagement on individuals and neighborhoods. This project not only played a crucial role in the successful funding application but also earned accolades for its creativity and influence, solidifying my commitment to creating meaningful and socially impactful content.

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Through a mix of powerful visuals, engaging storytelling, and attention to technical detail, the campaign captured the delicate artistry involved in glassmaking, drawing audiences into the world of contemporary and historical glasswork. Tim’s approach brought the Centre’s identity to life, emphasising its role as a destination for both tourists and local visitors while fostering an appreciation for the craft itself. His creative direction ensured that the campaign resonated with a broad audience, enhancing the Centre’s profile and driving engagement.

The success of the campaign not only raised awareness of the Centre’s exhibitions and activities but also strengthened its standing within the arts community and as a vital cultural institution in the North East.

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The film took a great amount of sacrifice to make under a very tight budget and schedule. The crew deserve a special thank you for their commitment to the project and we look forward to working with them all again in the future.

Lambert, the neo-classical musicians music features on the short film alongside the composed music of Jack Arnold. Arnold has just finished the music for the film Wild Rose.

The co-producer of the film, Julian Hicks who’s other projects include Mad To Be Normal, That Good Night and Waiting for Anya is already in discussions with Tim Goodill and Cassini Films about a larger project based on the award winning short film. 

Writer/Director – Tim Goodill

‘what a fantastic accolade for everyone involved in the making of Blood Steel’

Co-producer – Julian Hicks

‘It’s great to see a film with such an important and poignant message receive such an award.’

The post Blood Steel wins an RTS Award appeared first on Tim Goodill.

I am utterly elated to see that Ken Loach and Sixteen Films have posted the trailer for my latest short film, Blood Steel on their twitter page. Click here to see the post.

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His film credits include “Magic Hour” by Costas Kapakas, “4 Black Suits” by Renos Charalampides “Man in the Sea” by Constantinos Yiannaris as well as award winning documentaries “Smyrna:The Destruction of a Cosmopolitan city” and “Exchange of populations”

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The producer and writer/director, Tim Goodill expressed his heartfelt gratitude to the cast and especially the crew who worked tirelessly on the film. He said: ‘working with the fantastic crew, the musician, Lambert and the composer Jack Arnold was a great creative melting pot of talent’.

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